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Book Title: Sacred Hunger|
The author of the book: Barry Unsworth
Date of issue: January 10th 2012
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Format files: PDF
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A historical novel set in the eighteenth century, Sacred Hunger is a stunning, engrossing exploration of power, domination, and greed in the British Empire as it entered fully into the slave trade and spread it hroughout its colonies. Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.
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Read information about the authorBarry Unsworth was born in 1930 in a mining village in Durham, and he attended Stockton-on-Tees Grammar School and Manchester University, B.A., 1951.
From 1951-53, in the British Army, Royal Corps of Signals, he served and became second lieutenant.
A teacher and a novelist, Unsworth worked as a lecturer in English at Norwood Technical College, London, at University of Athens for the British Council, at University of Istanbul,Turkey for British Council, lived as a Writer in residence, Liverpool University, England, and also at Lund University, Sweden. He was a teacher at the University of Iowa's Writers' Workshop, 1999.
Unsworth was twice married, to Valerie Moor, 1959 with whom he had three daughters (marriage dissolved, 1991), and to Aira Pohjanvaara-Buffa, 1992. In later years made his home in Umbria, Italy. He died in Perugia, at age 81, of lung cancer.
Unsworth's first novel, The Partnership, was published in 1966 when he was 36. "...in my earlier novels, especially the two written in the early ’70s, The Hide and Mooncranker’s Gift, there was a baroque quality in the style, a density. The mood was grim, but the language was more figurative and more high-spirited. There was more delight in it, more self-indulgence, too. Among my earliest influences as a writer were the American novelists of the deep south, especially Eudora Welty, and some of that elated, grotesque comedy stayed with me."
Other novels include Mooncranker's Gift (1973) (winner of the Heinemann Award), Stone Virgin (1985), and Losing Nelson (1999). He counts William Faulkner, Eudora Welty and Carson McCullers as his major influences.
Unsworth did not start to write historical fiction until his sixth novel, Pascali's Island. Pascali's Island (1980), the first of his novels to be shortlisted for the Booker Prize, is set on an unnamed Aegean island during the last years of the Ottoman Empire. Reflecting on this shift, Unsworth explained: "Nowadays I go to Britain relatively rarely and for short periods; in effect, I have become an expatriate. The result has been a certain loss of interest in British life and society and a very definite loss of confidence in my ability to register the contemporary scene there – the kind of things people say, the styles of dress, the politics etc.– with sufficient subtlety and accuracy. So I have turned to the past. The great advantage of this, for a writer of my temperament at least, is that one is freed from a great deal of surface clutter. One is enabled to take a remote period and use it as a distant mirror (to borrow Barbara Tuchman’s phrase), and so try to say things about our human condition – then and now – which transcend the particular period and become timeless." Pascali's Island was adapted as a film by James Dearden, starring Charles Dance, Helen Mirren, and Ben Kingsley as the title character.
Morality Play, shortlisted for the Booker Prize in 1995, is a murder mystery set in 14th-century England. It was adapted as a film, The Reckoning, starring Paul Bettany and Willem Dafoe.
"With time I have grown more sparing with the words. I think less of fire-works and flourishes. I try to get warmth and color through precision of language. This is more difficult, I think, which may be why I find writing novels so challenging and exacting."
Heinemann Award for Literature, Royal Society of Literature, 1974, for Mooncranker's Gift; Arts Council Creative Writing fellowship, Charlotte Mason College, 1978-79; literary fellow, Universities of Durham and Newcastle, 1983-84; Booker Prize (joint winner), 1992, for Sacred Hunger; honorary Litt.D., Manchester University, 1998.
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