Read Miles Davis Omnibook: For Bb Instruments by Miles Davis Free Online
Book Title: Miles Davis Omnibook: For Bb Instruments|
The author of the book: Miles Davis
Edition: Hal Leonard
Date of issue: December 1st 2014
ISBN: No data
ISBN 13: No data
Format files: PDF
The size of the: 461 KB
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Reader ratings: 5.2
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(Jazz Transcriptions). The ultimate resource for studying the work of Miles Davis! 50 note-for-note transcriptions of his recorded solos for: Airegin * All Blues * All of You * Au Privave * Bags' Groove * Billie's Bounce (Bill's Bounce) * Blue Haze * Budo * But Not for Me * Bye Bye Blackbird * Diane * Dig * Doxy * E.S.P. * Footprints * Four * Freddie Freeloader * A Gal in Calico * Green Haze * I Waited for You * I'll Remember April * If I Were a Bell * It Could Happen to You * It's Only a Paper Moon * Jeru * K.C. Blues * Love Me or Leave Me * Miles Ahead * Milestones * Oleo * On Green Dolphin Street * The Serpent's Tooth * Seven Steps to Heaven * Sippin' at Bells * So What * Solar * Some Day My Prince Will Come * Stablemates * Stella by Starlight * Stuff * Summertime * The Surrey with the Fringe on Top * The Theme * Trane's Blues * Tune Up * Vierd Blues * Walkin' * Well You Needn't (It's over Now) * Woodyn' You * Yesterdays.
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Read information about the authorMiles Dewey Davis III was an American jazz trumpeter, bandleader, and composer.
Widely considered one of the most influential musicians of the 20th century, Davis was at the forefront of almost every major development in jazz from World War II to the 1990s. He played on various early bebop records and recorded one of the first cool jazz records. He was partially responsible for the development of modal jazz, and jazz fusion arose from his work with other musicians in the late 1960s and early 1970s.
Davis belongs to the great tradition of jazz trumpeters that started with Buddy Bolden and ran through Joe "King" Oliver, Louis Armstrong, Roy Eldridge and Dizzy Gillespie, although unlike those musicians he was never considered to have the highest level of technical ability. His greatest achievement as a musician, however, was to move beyond being regarded as a distinctive and influential stylist on his own instrument and to shape whole styles and ways of making music through the work of his bands, in which many of the most important jazz musicians of the second half of the Twentieth Century made their names.
Davis was posthumously inducted into the Rock and Roll Hall of Fame on March 13, 2006. He has also been inducted into the St. Louis Walk of Fame, Big Band and Jazz Hall of Fame, and Down Beat's Jazz Hall of Fame.
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